![]() Lucky person.Īfter this stage is complete, you should have all the things you need to make your movie: cast, crew, production staff, locations, and any special gear. You'll sign union agreements and contracts so you can bring union members onboard – which will keep your production coordinator nice and busy with paperwork. ![]() It's also time for your casting director to put out some casting calls and find the hottest talent. Hire your production crew and talentĪs things start hotting up, your departments will begin to build their crews. It's also when your location manager starts location scouting. This is mostly a job for department heads and your line producer or production manager. You're going to need a lot of stuff to make your cinematic masterpiece: equipment, rentals, props, building supplies, costume designer. You need to get the work done within the budget, but you don't want people to burn out. It's also important to consider the emotional wellbeing of your talent and crew when finalising the shooting schedule. The whole team needs to pull together to help the line producer or UPM strike a balance between your creative, financial and logistical goals. This stage of the video production process can be a bit sticky if your director or department heads have larger cinematography goals than your finances can handle. Now that the pre-production process is a little further along, your line producer or production manager will have more information to tweak your budget and schedule. Depending on the size and budget of your production, your list will include some of the following:ġ0. Then you'll need to secure your department heads. For starters, you'll probably want to lock in your director, assistant director, and production manager. Now that you've got a rough budget and schedule together, you're in a good position to put together a film crew. Most productions try to shoot five pages a day, which is about five minutes of screen time. It's mostly dictated by your shooting schedule, so you'll need to go through your shooting script to figure out how many scenes you can shoot each day. If you've got the resources, you might want to bring a line producer on board to prepare a preliminary production schedule. Borrowing your mum's car for the high-speed chase. Shooting it in your grandparents' garage. Finally, think about the cheapest way you could achieve your filmmaking goals.
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